Ghost Crowd, 2017
Firmly rooted in today’s world, Carlos Amorales constantly questions its meaning and expressions. For the Biennial, he is proposing new interpretations of our common languages, inviting the public to interact directly with this re-creation.
Musée national des beaux-arts du Québec, pavillon Pierre Lassonde
179, Grande Allée Ouest
February 17 to March 14
Tuesday to Sunday – 10 a.m. to 5 p.m.
Wednesday – 10 a.m. to 9 p.m.
Opening – February 17, 5 p.m.
(Mexico City, Mexico)
Carlos Amorales was trained at the State Academy of Fine Arts in Amsterdam. His work has been shown at several solo and group exhibitions around the world. Amorales has also participated in international art events such as the Shanghai Biennale (2015), the Havana Biennial (2009 and 2015), Manifesta 9 (2012), Performa 07 (2007) and the Venice Biennale (2003). His works are in numerous collections and in particular those of the Tate Modern (London), the Solomon R. Guggenheim Museum (New York) and the Daros Latinamerica (Zurich). The artist is represented by the gallery Kurimanzutto (Mexico City).