{"id":1917,"date":"2018-11-28T12:05:00","date_gmt":"2018-11-28T11:05:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1917"},"modified":"2019-04-19T21:07:51","modified_gmt":"2019-04-19T19:07:51","slug":"jason-beliveau","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/jason-beliveau\/","title":{"rendered":"Jason B\u00e9liveau"},"content":{"rendered":"
<\/p>\n
<\/p>\n
\u00a9 Jason B\u00e9liveau<\/span><\/p>\n <\/p>\n La cin\u00e9aste am\u00e9ricaine Kelly Reichardt envisage l\u2019espace physique comme d\u00e9terminant de la psychologie des personnages qu\u2019elle met en sc\u00e8ne. En ouverture de la projection du film Certain Women, une pr\u00e9sentation de son \u0153uvre prendra comme point de comparaison le travail de photographes et d\u2019artistes visuels tels que Stephen Shore et Milton Clark Avery.<\/p>\n <\/p>\n Image tir\u00e9e du film Certain Women<\/em><\/p>\n <\/p>\n 179, Grande All\u00e9e Ouest <\/p>\nCertain Women<\/h3>\n
Salle Multi du MNBAQ<\/h4>\n
\nQu\u00e9bec<\/p>\n