{"id":1853,"date":"2018-11-29T12:02:00","date_gmt":"2018-11-29T11:02:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1853"},"modified":"2019-04-19T20:36:26","modified_gmt":"2019-04-19T18:36:26","slug":"shimabuku-2","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/shimabuku-2\/","title":{"rendered":"Shimabuku"},"content":{"rendered":"<p><\/p>\n<h4>Terminus de la traverse (L\u00e9vis)<\/h4>\n<p>&nbsp;<\/p>\n<p>Embl\u00e9matique des interventions ludiques de Shimabuku, un curieux attroupement de p\u00e9dalos cygnes franchissent les murs de Regart pour esp\u00e9rer poursuivre leur p\u00e9riple jusqu\u2019au fleuve.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-2856 size-full\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05.jpg\" alt=\"\" width=\"4000\" height=\"2667\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><br \/>\n<span style=\"font-size: 8pt;\">Shimabuku, <em>Swan goes to the sea<\/em>, 2019\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Shimabuku<\/h3>\n<p>(Japon)<\/p>\n<p>Shimabuku, n\u00e9 en 1969, \u00e0 Kobe, d\u00e9tient un dipl\u00f4me de l\u2019Osaka College of Art (1990) ainsi qu\u2019un baccalaur\u00e9at du San Francisco Art Institute (1992). Sa pratique a fait l\u2019objet d\u2019expositions individuelles au National Museum of Art (Osaka), \u00e0 la Vancouver Contemporary Art Gallery, \u00e0 l\u2019Ikon Gallery (Birmingham) et au Watari Museum of Contemporary Art (Tokyo). Il a particip\u00e9 aux biennales de Venise, de Lyon, de Taipei, de Sharjah, de Kit\u0101ky\u016bsy\u016b, de Sydney, de Busan, de Kobe, de S\u00e3o Paulo et de La Havane. Ses \u0153uvres sont conserv\u00e9es par la Fondation Louis Vuitton, le Fonds r\u00e9gional d\u2019art contemporain \u00cele-de-France et le Kunstmuseum de Berne.<\/p>\n<p><a href=\"http:\/\/shimabuku.net\" target=\"_blank\" rel=\"noopener\">shimabuku.net<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Terminus de la traverse (L\u00e9vis)<\/h4>\n<p>Soci\u00e9t\u00e9 de transport de L\u00e9vis<\/p>\n<p>L\u00e9vis<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u27a4 Du jamais vu!<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Terminus de la traverse (L\u00e9vis) &nbsp; Embl\u00e9matique des interventions ludiques de Shimabuku, un curieux attroupement de p\u00e9dalos cygnes franchissent les murs de Regart pour esp\u00e9rer poursuivre leur p\u00e9riple jusqu\u2019au fleuve. &nbsp; Shimabuku, Swan goes to the sea, 2019\u00a0\u00a9 Charles-Frederick Ouellet &nbsp; Shimabuku (Japon) Shimabuku, n\u00e9 en 1969, \u00e0 Kobe, d\u00e9tient un dipl\u00f4me de l\u2019Osaka College [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2856,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,5],"tags":[39],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1853"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/comments?post=1853"}],"version-history":[{"count":7,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1853\/revisions"}],"predecessor-version":[{"id":2857,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1853\/revisions\/2857"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media\/2856"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media?parent=1853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/categories?post=1853"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/tags?post=1853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}