{"id":1846,"date":"2018-11-29T12:04:00","date_gmt":"2018-11-29T11:04:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1846"},"modified":"2019-04-19T20:30:31","modified_gmt":"2019-04-19T18:30:31","slug":"susan-philipsz","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/susan-philipsz\/","title":{"rendered":"Susan Philipsz"},"content":{"rendered":"<p><\/p>\n<h4>Parc de l\u2019Artillerie composante du lieu historique national des Fortifications-de-Qu\u00e9bec<\/h4>\n<p>En codiffusion avec <a href=\"https:\/\/avatarquebec.org\/fr\/#!\/fr\/\">Avatar<\/a><\/p>\n<p><em>Lowlands<\/em> est une \u0153uvre sonore qui r\u00e9sonne dans l&rsquo;espace. L\u2019artiste reprend un chant de marins \u00e9cossais racontant les adieux tragiques occasionn\u00e9s par une noyade ou un d\u00e9part.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 10pt;\"><img loading=\"lazy\" class=\"alignnone wp-image-2852 size-full\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04.jpg\" alt=\"\" width=\"4000\" height=\"2667\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Philipsz_Susan_04-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/>Susan Philipsz, Lowlands (oeuvre sonore), 2010\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Susan Philipsz<\/h3>\n<p>(\u00c9cosse, Allemagne)<\/p>\n<p>Susan Philipsz est n\u00e9e en 1965 \u00e0 Glasgow, en \u00c9cosse. Elle est titulaire d\u2019un baccalaur\u00e9at en beaux-arts du Duncan of Jordanstone College of Art (1993) et d\u2019une ma\u00eetrise en beaux-arts de l\u2019Universit\u00e9 d\u2019Ulster (1994). Depuis, des expositions solos lui ont \u00e9t\u00e9 consacr\u00e9es au Museum of Contemporary Art de Chicago, au Tate Britain (Londres), au MoMA\u00a0PS1 (New York) et \u00e0 la Documenta 13 (Cassel). En 2010, elle se fait octroyer le prix Turner. Ses \u0153uvres font partie des collections du Carnegie Museum of Art (Pittsburgh), du Castello di Rivoli et de la Fondation Joan Mir\u00f3. Elle habite \u00e0 Berlin et elle est repr\u00e9sent\u00e9e par la Tanya Bonakdar Gallery (New York).<\/p>\n<p><a href=\"http:\/\/tanyabonakdargallery.com\/artists\/susan-philipsz\" target=\"_blank\" rel=\"noopener\">tanyabonakdargallery.com\/artists\/susan-philipsz<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Parc de l\u2019Artillerie composante du lieu historique national des Fortifications-de-Qu\u00e9bec<\/h4>\n<p>&nbsp;<\/p>\n<p><em>\u27a4 Ne cherchez pas \u00e0 voir cette \u0153uvre laur\u00e9ate du prestigieux Prix Turner, vous n\u2019avez qu\u2019\u00e0 ouvrir vos oreilles!<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Parc de l\u2019Artillerie composante du lieu historique national des Fortifications-de-Qu\u00e9bec En codiffusion avec Avatar Lowlands est une \u0153uvre sonore qui r\u00e9sonne dans l&rsquo;espace. L\u2019artiste reprend un chant de marins \u00e9cossais racontant les adieux tragiques occasionn\u00e9s par une noyade ou un d\u00e9part. &nbsp; Susan Philipsz, Lowlands (oeuvre sonore), 2010\u00a0\u00a9 Charles-Frederick Ouellet &nbsp; Susan Philipsz (\u00c9cosse, Allemagne) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2852,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,5],"tags":[39],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1846"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/comments?post=1846"}],"version-history":[{"count":9,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1846\/revisions"}],"predecessor-version":[{"id":2853,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1846\/revisions\/2853"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media\/2852"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media?parent=1846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/categories?post=1846"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/tags?post=1846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}