{"id":1843,"date":"2018-11-29T12:05:00","date_gmt":"2018-11-29T11:05:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1843"},"modified":"2019-04-14T21:35:34","modified_gmt":"2019-04-14T19:35:34","slug":"marianne-nicolson","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/marianne-nicolson\/","title":{"rendered":"Marianne Nicolson"},"content":{"rendered":"<p><\/p>\n<h4>Monast\u00e8re des Augustines<\/h4>\n<p>&nbsp;<\/p>\n<p>Marianne Nicolson investit une fa\u00e7ade vitr\u00e9e du Monast\u00e8re des Augustines avec ses pictogrammes aux compositions sinueuses et dynamiques. Puis\u00e9s dans la culture ancestrale Kwakwaka\u2019wakw, ils \u00e9voquent la cosmogonie autochtone.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-2777\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02.jpg\" alt=\"\" width=\"4000\" height=\"2667\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Nicolson_Marianne_02-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/p>\n<p>\u00a9 Charles-Frederick Ouellet<\/p>\n<p>&nbsp;<\/p>\n<h3>Marianne Nicolson<\/h3>\n<p>(Dzawada\u0331\u2019enux\u0331w, Colombie-Britannique)<\/p>\n<p>De descendance \u00e9cossaise et Dzawada\u0331\u2019enux\u0331w (communaut\u00e9 Kwakwa\u0331ka\u0331\u2019wakw de Colombie-Britannique), Marianne Nicolson est n\u00e9e en 1969. Elle est titulaire d\u2019un baccalaur\u00e9at de l\u2019Emily Carr Institute of Art and Design (1996), d\u2019une ma\u00eetrise en arts visuels de l\u2019Universit\u00e9 Concordia (1999) et d\u2019un doctorat en linguistique, anthropologie et histoire de l\u2019art de l\u2019Universit\u00e9 de Victoria (2013). Son travail a fait l\u2019objet d\u2019expositions \u00e0 la Vancouver Art Gallery, au Indigenous Art Centre (Gatineau), au Taipei Fine Arts Museum, au Museum of Arts and Design (New York) et \u00e0 la 17e\u00a0Biennale de Sydney. Elle a r\u00e9alis\u00e9 des projets d\u2019art public pour la Nanaimo Art Gallery et pour l\u2019a\u00e9roport international de Vancouver.<\/p>\n<p><a href=\"http:\/\/mariannenicolson.com\" target=\"_blank\" rel=\"noopener\">mariannenicolson.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Monast\u00e8re des Augustines<\/h4>\n<p>77 Rue des Remparts<\/p>\n<p>Qu\u00e9bec<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u27a4 Cette nouvelle \u0153uvre a \u00e9t\u00e9 con\u00e7ue sp\u00e9cifiquement pour le Monast\u00e8re des Augustines.<\/em><\/p>\n<p><em><strong>Fait \u00e0 Qu\u00e9bec<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Monast\u00e8re des Augustines &nbsp; Marianne Nicolson investit une fa\u00e7ade vitr\u00e9e du Monast\u00e8re des Augustines avec ses pictogrammes aux compositions sinueuses et dynamiques. Puis\u00e9s dans la culture ancestrale Kwakwaka\u2019wakw, ils \u00e9voquent la cosmogonie autochtone. &nbsp; \u00a9 Charles-Frederick Ouellet &nbsp; Marianne Nicolson (Dzawada\u0331\u2019enux\u0331w, Colombie-Britannique) De descendance \u00e9cossaise et Dzawada\u0331\u2019enux\u0331w (communaut\u00e9 Kwakwa\u0331ka\u0331\u2019wakw de Colombie-Britannique), Marianne Nicolson est n\u00e9e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2777,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,5],"tags":[39],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1843"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/comments?post=1843"}],"version-history":[{"count":6,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1843\/revisions"}],"predecessor-version":[{"id":2778,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1843\/revisions\/2778"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media\/2777"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media?parent=1843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/categories?post=1843"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/tags?post=1843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}