{"id":1826,"date":"2018-11-30T12:06:00","date_gmt":"2018-11-30T11:06:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1826"},"modified":"2019-04-19T19:42:02","modified_gmt":"2019-04-19T17:42:02","slug":"nadia-myre","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/nadia-myre\/","title":{"rendered":"Nadia Myre"},"content":{"rendered":"<p><\/p>\n<h4>Le Lieu<\/h4>\n<p>&nbsp;<\/p>\n<p>Nadia Myre juxtapose dans ses \u0153uvres ses exp\u00e9riences personnelles \u00e0 celles d\u2019autrui pour susciter l\u2019introspection, revisiter l\u2019histoire coloniale et ouvrir les dialogues interculturels.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-2830 size-full\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03.jpg\" alt=\"\" width=\"4000\" height=\"2666\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Myre_Nadia_03-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><\/p>\n<p><span style=\"font-size: 8pt;\">Nadia Myre, <em>Living with Contradiction<\/em>, 2016\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Nadia Myre<\/h3>\n<p>(Kitigan Zibi Anishinaabeg, Qu\u00e9bec)<\/p>\n<p>N\u00e9e en 1974, l\u2019artiste montr\u00e9alaise Nadia Myre a obtenu un baccalaur\u00e9at de l\u2019Emily Carr Institute of Art and Design (1997) ainsi qu\u2019une ma\u00eetrise de l\u2019Universit\u00e9 Concordia (2002). Elle a pr\u00e9sent\u00e9 des expositions individuelles au Mus\u00e9e des beaux-arts de Montr\u00e9al et au National Museum of the American Indian (Washington) en plus d\u2019avoir pris part aux biennales de Sydney, de Shanghai et de Montr\u00e9al. En 2014, elle remporte le prix Sobey pour les arts et en 2016, le prix de la Walter Phillips Gallery Indigenous Commission. Ses \u0153uvres font partie des collections du Mus\u00e9e national des beaux-arts du Qu\u00e9bec, de la Banque d\u2019art du Conseil des arts du Canada et du Smithsonian National Museum of the American Indian (New York).<\/p>\n<p><a href=\"http:\/\/nadiamyre.net\" target=\"_blank\" rel=\"noopener\">nadiamyre.net<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Le Lieu<\/h4>\n<p>345 rue Du Pont<br \/>\nQu\u00e9bec<br \/>\n418 529-9680<br \/>\n<a href=\"https:\/\/inter-lelieu.org\/\" target=\"_blank\" rel=\"noopener\">inter-lelieu.org\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>16 f\u00e9vrier au 7 avril<\/strong><br \/>\nlundi au jeudi \u2013 9h \u00e0 16h<br \/>\nvendredi \u2013 9h \u00e0 15h<br \/>\nsamedi \u00e0 dimanche \u2014 12 h \u00e0 17 h<br \/>\n<strong>Vernissage \u2022 16 f\u00e9vrier &#8211; 13 h \u00e0 17 h<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Le Lieu &nbsp; Nadia Myre juxtapose dans ses \u0153uvres ses exp\u00e9riences personnelles \u00e0 celles d\u2019autrui pour susciter l\u2019introspection, revisiter l\u2019histoire coloniale et ouvrir les dialogues interculturels. &nbsp; Nadia Myre, Living with Contradiction, 2016\u00a0\u00a9 Charles-Frederick Ouellet &nbsp; Nadia Myre (Kitigan Zibi Anishinaabeg, Qu\u00e9bec) N\u00e9e en 1974, l\u2019artiste montr\u00e9alaise Nadia Myre a obtenu un baccalaur\u00e9at de l\u2019Emily [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2830,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,5],"tags":[30],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1826"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/comments?post=1826"}],"version-history":[{"count":9,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1826\/revisions"}],"predecessor-version":[{"id":2831,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1826\/revisions\/2831"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media\/2830"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media?parent=1826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/categories?post=1826"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/tags?post=1826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}