{"id":1815,"date":"2018-11-30T12:03:00","date_gmt":"2018-11-30T11:03:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1815"},"modified":"2019-04-19T19:56:01","modified_gmt":"2019-04-19T17:56:01","slug":"george-shaw-et-thomas-bewick","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/george-shaw-et-thomas-bewick\/","title":{"rendered":"George Shaw et Thomas Bewick"},"content":{"rendered":"<p><\/p>\n<h4>Villa Bagatelle<\/h4>\n<p>&nbsp;<\/p>\n<p>Les tableaux de George Shaw d\u00e9peignent des bois\u00e9s banlieusards, refuges de jeunesse de l\u2019artiste, pour aborder avec raffinement les grands th\u00e8mes de la mort et de l\u2019\u00e9rotisme.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-2836 size-full\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11.jpg\" alt=\"\" width=\"4000\" height=\"2667\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shaw_George_11-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><br \/>\n<span style=\"font-size: 8pt;\">George Shaw, <em>Plein Air<\/em>, 2018\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>George Shaw<\/h3>\n<p>(Angleterre)<\/p>\n<p>N\u00e9 en 1966 \u00e0 Conventry en Angleterre, George Shaw a obtenu sa ma\u00eetrise en peinture au Royal College of Art de Londres en 1998, apr\u00e8s avoir \u00e9t\u00e9 form\u00e9 en beaux-arts \u00e0 la Sheffield Polytechnic (1989). Il a pr\u00e9sent\u00e9 son travail dans plusieurs expositions individuelles \u00e0 l\u2019Ikon Gallery (Birmingham), au Centre d\u2019art contemporain de Gen\u00e8ve, au Baltic Centre for Contemporary Art (Gateshead) et \u00e0 la National Gallery (Londres). Il a \u00e9galement particip\u00e9 \u00e0 des expositions collectives \u00e0 B\u00e2le, \u00e0 New York, \u00e0 Los Angeles, \u00e0 Prague et \u00e0 Mexico. En 2011, il a \u00e9t\u00e9 finaliste pour le prestigieux prix Turner.<\/p>\n<p><a href=\"https:\/\/anthonywilkinsongallery.org\/artists\/27-george-shaw\/works\/\" target=\"_blank\" rel=\"noopener\">anthonywilkinsongallery.org\/artists\/27-george-shaw\/works\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>\u27a4 Notez les nombreux liens entre ces pi\u00e8ces historiques et la pratique actuelle de George Shaw.<\/em><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>Les <em>Tale-Pieces<\/em> de Thomas Bewick sont des chefs-d\u2019\u0153uvre miniatures du XVIIIe si\u00e8cle repr\u00e9sentant avec minutie des anecdotes irr\u00e9v\u00e9rencieuses aux le\u00e7ons d\u2019ordre moral et aux critiques sociales pr\u00e9gnantes.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-2837 size-full\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08.jpg\" alt=\"\" width=\"4000\" height=\"2667\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Bewick_Thomas_08-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><br \/>\n<span style=\"font-size: 8pt;\">Thomas Bewick, <em>Tale-Pieces<\/em>, 1790-1804\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Thomas Bewick<\/h3>\n<p>(Angleterre)<\/p>\n<p>Thomas Bewick (1753-1828) est un graveur sur bois britannique originaire de la r\u00e9gion du Northumberland. Il devient l\u2019apprenti graveur de Ralph Beibly en 1767 et, neuf ans plus tard, son associ\u00e9. Il d\u00e9veloppe ensuite une pratique en tant qu\u2019illustrateur et auteur, publiant ses propres ouvrages d\u2019histoire naturelle. Bewick fait notamment para\u00eetre <em>Gay\u2019s Fables<\/em> (1779), <em>Selected Fables<\/em> (1784) et <em>Chillingham Bull<\/em> (1789). Ses contributions les plus notoires sont les ouvrages illustr\u00e9s <em>Quadrupeds<\/em> (1790) et <em>British Birds<\/em> (1797 et 1804). Il a \u00e9galement illustr\u00e9 les po\u00e8mes<em> The Traveller et The Deserted Village<\/em> d\u2019Oliver Goldsmith ainsi que <em>The Chase <\/em>de William Somervile.<\/p>\n<p><a href=\"http:\/\/bewicksociety.org\" target=\"_blank\" rel=\"noopener\">bewicksociety.org<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Villa Bagatelle<\/h4>\n<p>1360 avenue James-LeMoine, Qu\u00e9bec<br \/>\nQu\u00e9bec<br \/>\n418.654.0259<br \/>\n<a href=\"http:\/\/maisonsdupatrimoine.com\" target=\"_blank\" rel=\"noopener\">maisonsdupatrimoine.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>15 f\u00e9vrier au 12 mai<\/strong><br \/>\nmercredi au dimanche \u2014 13 h \u00e0 17 h<br \/>\n<strong>Vernissage \u2022 15 f\u00e9vrier &#8211; 13 h \u00e0 17 h<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Villa Bagatelle &nbsp; Les tableaux de George Shaw d\u00e9peignent des bois\u00e9s banlieusards, refuges de jeunesse de l\u2019artiste, pour aborder avec raffinement les grands th\u00e8mes de la mort et de l\u2019\u00e9rotisme. &nbsp; George Shaw, Plein Air, 2018\u00a0\u00a9 Charles-Frederick Ouellet &nbsp; George Shaw (Angleterre) N\u00e9 en 1966 \u00e0 Conventry en Angleterre, George Shaw a obtenu sa ma\u00eetrise [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2836,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,5],"tags":[42],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1815"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/comments?post=1815"}],"version-history":[{"count":13,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1815\/revisions"}],"predecessor-version":[{"id":2838,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1815\/revisions\/2838"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media\/2836"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media?parent=1815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/categories?post=1815"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/tags?post=1815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}