{"id":1611,"date":"2018-12-01T12:20:00","date_gmt":"2018-12-01T11:20:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1611"},"modified":"2018-12-04T20:17:20","modified_gmt":"2018-12-04T19:17:20","slug":"manasie-akpaliapik","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/programmation\/manasie-akpaliapik\/","title":{"rendered":"Manasie Akpaliapik"},"content":{"rendered":"<p><\/p>\n<h4>Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde<\/h4>\n<p>&nbsp;<\/p>\n<p>Sculpt\u00e9es dans l\u2019os de baleine, les \u0153uvres de Manasie Akpaliapik \u00e9pousent les formes organiques du mat\u00e9riau pour laisser appara\u00eetre des figurations complexes renvoyant aux interrelations du vivant.<\/p>\n<p>&nbsp;<\/p>\n<h4><img loading=\"lazy\" class=\"alignnone wp-image-2132\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-900x1266.jpg\" alt=\"\" width=\"900\" height=\"1266\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-900x1266.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-600x844.jpg 600w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-768x1081.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-1200x1689.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-78x110.jpg 78w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-298x420.jpg 298w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1-306x430.jpg 306w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/DPD_2016_31_IN1.jpg 1599w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/h4>\n<p><span style=\"font-size: 8pt;\">Manasie Akpaliapik, <em>L&rsquo;Homme et le hibou<\/em>, vers 2000<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>Manasie Akpaliapik<\/h4>\n<p>(Arctic Bay, Nunavut)<\/p>\n<p>N\u00e9 en 1955 dans un camp de chasse du nord de l\u2019\u00cele de Baffin, Manasie Akpaliapik s\u2019installe \u00e0 Arctic Bay en 1967. Il apprend \u00e0 sculpter d\u00e8s l\u2019\u00e2ge de 10 ans. Depuis, ses \u0153uvres sont entr\u00e9es dans les collections du mus\u00e9e d\u2019art de l\u2019Universit\u00e9 d\u2019Oklahoma, de l\u2019Art Gallery of Ontario, de la Mackenzie Art Gallery (Winnipeg), du Mus\u00e9e national des beaux-arts du Qu\u00e9bec, du Mus\u00e9e canadien de l\u2019histoire (Gatineau) et du Mus\u00e9e des confluences (Lyon). Apr\u00e8s avoir v\u00e9cu plusieurs ann\u00e9es \u00e0 Montr\u00e9al \u00e0 partir de 1980, il vit et travaille aujourd\u2019hui \u00e0 Toronto.<\/p>\n<p>&nbsp;<\/p>\n<h4>Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde<\/h4>\n<p>179, Grande All\u00e9e Ouest<br \/>\n418 643-2150<\/p>\n<p><a href=\"http:\/\/mnbaq.org\" target=\"_blank\" rel=\"noopener\">mnbaq.org<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>16 f\u00e9vrier au 21 avril<\/strong><br \/>\nMardi \/ Jeudi \u00e0 Dimanche \u2014 10 h \u00e0 17 h<br \/>\nMercredi &#8211; 10 h \u00e0 21 h<br \/>\n<strong>Vernissage le 15 f\u00e9vrier \u00e0 17 h<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde &nbsp; Sculpt\u00e9es dans l\u2019os de baleine, les \u0153uvres de Manasie Akpaliapik \u00e9pousent les formes organiques du mat\u00e9riau pour laisser appara\u00eetre des figurations complexes renvoyant aux interrelations du vivant. &nbsp; Manasie Akpaliapik, L&rsquo;Homme et le hibou, vers 2000 &nbsp; Manasie Akpaliapik (Arctic Bay, Nunavut) N\u00e9 en 1955 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2132,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,5],"tags":[28],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1611"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/comments?post=1611"}],"version-history":[{"count":12,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1611\/revisions"}],"predecessor-version":[{"id":2135,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/posts\/1611\/revisions\/2135"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media\/2132"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/media?parent=1611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/categories?post=1611"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/wp-json\/wp\/v2\/tags?post=1611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}