{"id":1917,"date":"2018-11-28T12:05:00","date_gmt":"2018-11-28T11:05:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1917"},"modified":"2019-04-19T21:07:51","modified_gmt":"2019-04-19T19:07:51","slug":"jason-beliveau","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/en\/programmation\/jason-beliveau\/","title":{"rendered":"Jason B\u00e9liveau"},"content":{"rendered":"<p><\/p>\n<h4>MNBAQ\u2019s Salle Multi<\/h4>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-medium wp-image-2127\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-900x900.jpg\" alt=\"\" width=\"900\" height=\"900\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-900x900.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-300x300.jpg 300w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-100x100.jpg 100w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-600x600.jpg 600w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-400x400.jpg 400w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-768x768.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-250x250.jpg 250w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-125x125.jpg 125w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-110x110.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-420x420.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau-430x430.jpg 430w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/JasonBeliveau.jpg 960w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/> <span style=\"font-size: 8pt;\">\u00a9 Jason B\u00e9liveau<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Certain Women<\/h3>\n<p>American filmmaker Kelly Reichardt considers physical space as a decisive factor in the psychology of the characters she films. Before the projection of Certain Women, the curator will present Reichardt\u2019s work in comparison to that of photographers and visual artists such as Stephen Shore and Milton Clark Avery.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-2881\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1.png\" alt=\"\" width=\"1920\" height=\"1037\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1.png 1920w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-900x486.png 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-768x415.png 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-1200x648.png 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-110x59.png 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-420x227.png 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-770x416.png 770w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Certain_Women_1-600x324.png 600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>Image tir\u00e9e du film <em>Certain Women<\/em><\/p>\n<p>&nbsp;<\/p>\n<h4>MNBAQ\u2019s Salle Multi<\/h4>\n<p>179 Grande All\u00e9e O.<br \/>\nQuebec City<\/p>\n<p>&nbsp;<\/p>\n<p><strong>March 23 \u2014 3\u00a0pm to 5\u00a0pm<\/strong><\/p>\n<p>Projection and discussion held as part of the <a href=\"http:\/\/localhost:8888\/wp-manif9\/bonifiez-votre-experience\/\">Manif d\u2019art 9 Symposium<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>MNBAQ\u2019s Salle Multi &nbsp; \u00a9 Jason B\u00e9liveau &nbsp; Certain Women American filmmaker Kelly Reichardt considers physical space as a decisive factor in the psychology of the characters she films. Before the projection of Certain Women, the curator will present Reichardt\u2019s work in comparison to that of photographers and visual artists such as Stephen Shore and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2127,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,5],"tags":[22],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1917"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/comments?post=1917"}],"version-history":[{"count":9,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1917\/revisions"}],"predecessor-version":[{"id":2882,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1917\/revisions\/2882"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media\/2127"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media?parent=1917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/categories?post=1917"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/tags?post=1917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}