{"id":1853,"date":"2018-11-29T12:02:00","date_gmt":"2018-11-29T11:02:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1853"},"modified":"2019-04-19T20:36:26","modified_gmt":"2019-04-19T18:36:26","slug":"shimabuku-2","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/en\/programmation\/shimabuku-2\/","title":{"rendered":"Shimabuku"},"content":{"rendered":"<p><\/p>\n<h4>Terminus de la traverse (L\u00e9vis)<\/h4>\n<p>&nbsp;<\/p>\n<p>Emblematic of Shimabuku\u2019s playful interventions, a curious flock of swan-like pedal boats comes out of Regart in the hopes of continuing its journey to the river.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone wp-image-2856 size-full\" src=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05.jpg\" alt=\"\" width=\"4000\" height=\"2667\" srcset=\"http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05.jpg 4000w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-900x600.jpg 900w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-768x512.jpg 768w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-1200x800.jpg 1200w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-110x73.jpg 110w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-420x280.jpg 420w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-645x430.jpg 645w, http:\/\/localhost:8888\/wp-manif9\/wp-content\/uploads\/Shimabuku_05-600x400.jpg 600w\" sizes=\"(max-width: 4000px) 100vw, 4000px\" \/><br \/>\n<span style=\"font-size: 8pt;\">Shimabuku, <em>Swan goes to the sea<\/em>, 2019\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Shimabuku<\/h3>\n<p>(Japan)<\/p>\n<p>Shimabuku, born in 1969 in Kobe, Japan, holds a degree from the Osaka College of Art (1990) and a bachelor\u2019s degree from the San Francisco Art Institute (1992). His work has been the subject of solo exhibitions at the National Museum of Art in Osaka, Japan, the Vancouver Contemporary Art Gallery, the Ikon Gallery in Birmingham, UK, and the Watari Museum of Contemporary Art in Tokyo, Japan. He has taken part in the Venice, Lyon, Taipei, Sharjah, Kit\u0101ky\u016bsy\u016b, Sydney, Busan, Kobe, S\u00e3o Paulo, and Havana biennales. His works are held by the Louis Vuitton Foundation, Fonds r\u00e9gional d\u2019art contemporain \u00cele-de-France, and the Museum of Fine Arts Bern in Bern, Switzerland.<\/p>\n<p><a href=\"http:\/\/shimabuku.net\" target=\"_blank\" rel=\"noopener\">shimabuku.net<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4>Terminus de la traverse (L\u00e9vis)<\/h4>\n<p>Soci\u00e9t\u00e9 de transport de L\u00e9vis<\/p>\n<p>L\u00e9vis<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u27a4 Never-before-seen work!<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Terminus de la traverse (L\u00e9vis) &nbsp; Emblematic of Shimabuku\u2019s playful interventions, a curious flock of swan-like pedal boats comes out of Regart in the hopes of continuing its journey to the river. &nbsp; Shimabuku, Swan goes to the sea, 2019\u00a0\u00a9 Charles-Frederick Ouellet &nbsp; Shimabuku (Japan) Shimabuku, born in 1969 in Kobe, Japan, holds a degree [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2856,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11,5],"tags":[39],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1853"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/comments?post=1853"}],"version-history":[{"count":7,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1853\/revisions"}],"predecessor-version":[{"id":2857,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1853\/revisions\/2857"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media\/2856"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media?parent=1853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/categories?post=1853"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/tags?post=1853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}