{"id":1815,"date":"2018-11-30T12:03:00","date_gmt":"2018-11-30T11:03:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1815"},"modified":"2019-04-19T19:56:01","modified_gmt":"2019-04-19T17:56:01","slug":"george-shaw-et-thomas-bewick","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/en\/programmation\/george-shaw-et-thomas-bewick\/","title":{"rendered":"George Shaw and Thomas Bewick"},"content":{"rendered":"

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Villa Bagatelle<\/h4>\n

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George Shaw\u2019s paintings depict suburban woodlands\u2014secret havens from his youth\u2014to address the ever-present themes of death and eroticism.<\/p>\n

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\nGeorge Shaw, Plein Air<\/em>, 2018\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n

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George Shaw<\/h3>\n

(England)<\/p>\n

Born in 1966 in Coventry, England, George Shaw obtained a master\u2019s in painting in 1998 from the Royal College of Art in London, after studying fine art at Sheffield Polytechnic (1989). His work has been shown in a number of solo shows at Ikon Gallery (Birmingham), the Centre d\u2019art contemporain Gen\u00e8ve, the Baltic Centre for Contemporary Art (Gateshead), and the National Gallery (London). He has also taken part in group exhibitions in Basel, New York, Los Angeles, Prague and Mexico City. In 2011, he was a finalist for the prestigious Turner Prize.<\/p>\n

anthonywilkinsongallery.org\/artists\/27-george-shaw\/works\/<\/a><\/p>\n

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George Shaw\u2019s paintings depict suburban woodlands\u2014secret havens from his youth\u2014to address the ever-present themes of death and eroticism.<\/p>\n

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\u27a4 Note the many connections between these historical pieces and George Shaw\u2019s contemporary practice!<\/em><\/p>\n

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Thomas Bewick\u2019s Tale-Pieces<\/em> are miniature eighteenth-century masterpieces representing, in minute detail, irreverent anecdotes that deliver moral lessons and prominent social criticisms.<\/p>\n

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\nThomas Bewick, Tale-Pieces<\/em>, 1790-1804\u00a0\u00a9 Charles-Frederick Ouellet<\/span><\/p>\n

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Thomas Bewick<\/h3>\n

(England)<\/p>\n

Thomas Bewick (1753-1828) was a British wood engraver from the Northumberland region of England. In 1767, he apprenticed to the engraver Ralph Beibly, becoming his partner in business nine years later. He went on to develop a practice as illustrator and author, publishing his own books on natural history. Bewick\u2019s work includes Gay\u2019s Fables<\/em> (1779), Select Fables<\/em> (1784) and Chillingham Bull<\/em> (1789). His most well-known contributions are the illustrated works A General History of Quadrupeds<\/em> (1790) and History of British Birds<\/em> (1797 and 1804). He also illustrated the poems \u201cThe Traveller\u201d and \u201cThe Deserted Village\u201d<\/em> by Oliver Goldsmith, as well as \u201cThe Chase\u201d<\/em> by William Somervile.<\/p>\n

bewicksociety.org<\/a><\/p>\n

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Villa Bagatelle<\/h4>\n

1360 James-LeMoine Avenue
\nQuebec City
\n418 654-0259
\nmaisonsdupatrimoine.com<\/a><\/p>\n

 <\/p>\n

February 15 to May 12<\/strong>
\nWednesday to Sunday \u2013 1\u00a0pm to 5\u00a0pm
\nOpening \u2022 February 15 – 1 pm to 5 pm<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Villa Bagatelle   George Shaw\u2019s paintings depict suburban woodlands\u2014secret havens from his youth\u2014to address the ever-present themes of death and eroticism.   George Shaw, Plein Air, 2018\u00a0\u00a9 Charles-Frederick Ouellet   George Shaw (England) Born in 1966 in Coventry, England, George Shaw obtained a master\u2019s in painting in 1998 from the Royal College of Art in […]<\/p>\n","protected":false},"author":1,"featured_media":2836,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,5],"tags":[42],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1815"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/comments?post=1815"}],"version-history":[{"count":13,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1815\/revisions"}],"predecessor-version":[{"id":2838,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1815\/revisions\/2838"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media\/2836"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media?parent=1815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/categories?post=1815"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/tags?post=1815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}