{"id":1743,"date":"2018-12-01T12:02:00","date_gmt":"2018-12-01T11:02:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1743"},"modified":"2019-04-19T18:04:00","modified_gmt":"2019-04-19T16:04:00","slug":"cornelia-parker","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/en\/programmation\/cornelia-parker\/","title":{"rendered":"Cornelia Parker"},"content":{"rendered":"

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Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde<\/h4>\n

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Cornelia Parker explores the poetic resonances of matter disintegration. Composed of scrapwood, the sculptural installation No Man\u2019s Land<\/em> is dynamized by its suspension in space.<\/p>\n

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Cornelia Parker, No Man’s Land<\/em>, 2018\u00a0\u00a9 Idra Labrie<\/span><\/p>\n

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Cornelia Parker<\/h3>\n

(Cheshire, England)<\/p>\n

Born in 1956 in Cheshire, England, Cornelia Parker has a bachelor\u2019s from the Gloucestershire College of Art and Design (1975) and a master\u2019s from the University of Reading (1982). Her work has been shown at Ikon Gallery (Birmingham), the Metropolitan Museum of Art (New York) and the Venice Biennale. She was elected to the Royal Academy of Arts (London) and was named official artist for the 2017 British general election. Her works are in the permanent collections of the Mus\u00e9e national d\u2019art moderne (Paris), the Tate Gallery (London), the British Museum (London), the Brooklyn Museum and the Museum of Modern Art (New York).<\/p>\n

artnet.fr\/artistes\/cornelia-parker<\/a><\/p>\n

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Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde<\/h4>\n

179, Grande All\u00e9e Ouest
\nQuebec City
\n418 643-2150<\/p>\n

mnbaq.org<\/a><\/p>\n

 <\/p>\n

February 16 to April 21<\/strong>
\nTuesday, Thursday, Friday, Saturday, and Sunday \u2013 10\u00a0am to 5\u00a0pm
\nWednesday \u2013 10\u00a0am to 9\u00a0pm
\nOpening – February 15 at 5\u00a0pm<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde   Cornelia Parker explores the poetic resonances of matter disintegration. Composed of scrapwood, the sculptural installation No Man\u2019s Land is dynamized by its suspension in space.   Cornelia Parker, No Man’s Land, 2018\u00a0\u00a9 Idra Labrie   Cornelia Parker (Cheshire, England) Born in 1956 in Cheshire, England, […]<\/p>\n","protected":false},"author":1,"featured_media":2808,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,5],"tags":[39],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1743"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/comments?post=1743"}],"version-history":[{"count":7,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1743\/revisions"}],"predecessor-version":[{"id":2809,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1743\/revisions\/2809"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media\/2808"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media?parent=1743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/categories?post=1743"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/tags?post=1743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}