{"id":1725,"date":"2018-12-01T12:08:00","date_gmt":"2018-12-01T11:08:00","guid":{"rendered":"http:\/\/localhost:8888\/wp-manif9\/?p=1725"},"modified":"2019-04-19T17:43:12","modified_gmt":"2019-04-19T15:43:12","slug":"kristof-kintera","status":"publish","type":"post","link":"http:\/\/localhost:8888\/wp-manif9\/en\/programmation\/kristof-kintera\/","title":{"rendered":"Kri\u0161tof Kintera"},"content":{"rendered":"

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Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde<\/h4>\n

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Kri\u0161tof Kintera\u2019s sculptural accumulations come across as absurd and disturbing testimonies of excess in the era of hyperconsumption and planned obsolescence.<\/p>\n

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\"\"<\/a>
\nKri\u0161tof Kintera, Systemus Postnaturalis<\/em>, 2016-2017\u00a0\u00a9 Idra Labrie<\/span><\/p>\n

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Kri\u0161tof Kintera<\/h3>\n

(Prague, Czech Republic)<\/p>\n

Kri\u0161tof Kintera, born in 1973, completed his studies at the Academy of Fine Arts in Prague in 1999 and the Royal Academy of Fine Arts in Amsterdam in 2004. His works have been presented at Museum Tinguely in Basel, Switzerland, the Kunsthal in Rotterdam, Galerie Rudolfinum in Prague, the Maramotti Collection in Reggio Emilia, Italy, the Museum of Contemporary Art in Krak\u00f3w, Poland, Palais de Tokyo in Paris, France, the Royal Museum of Fine Arts Antwerp in Belgium, the K\u00fcnstlerhaus Bethanien arts center in Berlin, the Museum of Contemporary Art Tokyo, and Casino Luxembourg. Kintera is a three-time nominee for the Jindrich Chalupeck\u00fd Award. He lives and works in Prague and is represented by Galerie Ron Mandos Amsterdam.<\/p>\n

kristofkintera.com<\/a><\/p>\n

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Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde<\/h4>\n

179, Grande All\u00e9e Ouest
\nQuebec City
\n418 643-2150<\/p>\n

mnbaq.org<\/a><\/p>\n

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February 16 to April 21<\/strong>
\nTuesday, Thursday, Friday, Saturday, and Sunday \u2013 10\u00a0am to 5\u00a0pm
\nWednesday \u2013 10\u00a0am to 9\u00a0pm
\nOpening – February 15 at 5\u00a0pm<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Mus\u00e9e national des beaux-arts du Qu\u00e9bec, pavillon Pierre Lassonde   Kri\u0161tof Kintera\u2019s sculptural accumulations come across as absurd and disturbing testimonies of excess in the era of hyperconsumption and planned obsolescence.   Kri\u0161tof Kintera, Systemus Postnaturalis, 2016-2017\u00a0\u00a9 Idra Labrie   Kri\u0161tof Kintera (Prague, Czech Republic) Kri\u0161tof Kintera, born in 1973, completed his studies at the […]<\/p>\n","protected":false},"author":1,"featured_media":2799,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,5],"tags":[39],"_links":{"self":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1725"}],"collection":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/comments?post=1725"}],"version-history":[{"count":6,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1725\/revisions"}],"predecessor-version":[{"id":2800,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/posts\/1725\/revisions\/2800"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media\/2799"}],"wp:attachment":[{"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/media?parent=1725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/categories?post=1725"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost:8888\/wp-manif9\/en\/wp-json\/wp\/v2\/tags?post=1725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}